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Versus

by Alan Getto

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1.
Change 04:10
2.
In Transit 03:12
I'm goin down the station. I gotta buy a ticket. I’ve earned a reputation in this town. They mistook me for a friend. They mistook me for a man. They mighta been right though when they, when they, called me a clown. But I'm runnin' from my problems ‘cause they’re confined to one timezone and a little place that’s known as the past, where only memories last, where length, height, width and time, and time, defined space. But time only is a conglomeration a momentary nation of mind where dimensions and people meet and greet an unfolding, rolling, flowing, brief, sweet second of life, of life alive. But on each side of each second is just one more and just one less. And here we are at zero, our only moving hero. And if there is no God above then our only motivator is love.
3.
Autonomy
 is ought onto me.
 On the nautical sea I’m 
sailing. I’m trailing.

 A sliver of silver 
is the gilder killer.
 The Indian giver is wailing. He’s flailing.

 It’s the same old world (x3) 
that it’s always been. The bulb of a tulip 
is worth a whore’s two lips,
 but the flower business is booming—it’s blooming.

 But the black skin is better,
 as long as it’s fettered.
 The queen’s headdress feather is fuming. It’s pluming.

 It’s the same old world (x3) 
that it’s always been.
4.
I’m goin' to marry you. We’re gonna have a whole mess of children too. We’re gonna have a house on the hill, in the North New England woods and the fields. Red barn, white fence, the long green prairie grass, and we’re gonna have enough time to make all these anxieties pass. And left over we’ll have love and death. With the thought of those two I’ll cherish every breath. And we won’t have to fix the world; we’ll create our own, with the edges of the world being the fences that surround our home.
5.
Ever Since 04:54
I went down to see the blood on the beaches of Normandy, the place I came to stay— or— the place I came to be…. To try and end this fire between friends. But the last sound that I heard on Earth was the sound of the bullet ripping through my shirt. I went into a fog, a bog of blood and brains, then a surreal state of mind I’ve been trying to find Ever since I kissed those lips. (x3) Time slowed down and then sped up. I felt like a toy ship in a cup, with my stern turned away from the opening of the cave, watching the women on the wall dance the waltz. This world is where I wanna be, but maybe Mars is better for me. Maybe the sirens of Titan have been fightin’ for a chance at me, pulling their serpentine hair with Gorgon stares Ever since I kissed those lips. (x3) And I say goodbye as I fade to black. I wave goodbye ‘cause I’m not comin' back. I’m not comin’ back. I’m not comin' back. I’m not comin back from this dream, ‘cause the world’s too damn pretty Ever since, (x5) Ever since I kissed those lips. (x3) Ever since I kissed Death’s lips.
6.
If by tomorrow I don’t hear from you, If by tomorrow I see you don’t pull through, I’ll just dispel, I’ll just tell you goodbye. It’s clear that I romanticized. It’s clear that I saw you with rosy eyes in the field. I’ll admit I yielded to my emotions. And for being myself I apologize. But for being myself I realize that we won’t be no good, because you ain’t good enough for me. I deserve respect. But what do I get from you? I deserve respect. But I get jack shit from you; You don’t respond; You don’t belong in such a beautiful body. Because you’re ugly, you’re ugly, you’re ugly inside. You’re a coldhearted bitch with pretty brown eyes. And it’s fine, it’s fine, it’s fine— I was only in it for your tits. Because you’re ugly, you’re ugly, you’re ugly inside. And soon the out will be the in in time. And it’s fine, it’s fine, it’s fine— I only loved you. (x2)
7.
Habanera 04:02
I’ve spent all day thinking about this. I’ll spend all night dreaming about your lips. I knew how I wanted to hold you and I did. Now I want to find ways God himself forbid. You said you got curves, but you’re more like a carving. For me to buy your meals is worth starving. I’d give you my hands to sustain the sculpture. Leave me to bleed, to feed the vultures. Perhaps those are the evil spirits you speak of— high-flying, jet black birds that feed on blood and love. My blood I can do without and my hands I would gladly give, ‘cause if love is all I’ll have, that’s enough to live. You said you got curves, but you’re more like a carving. For me to buy your meals is worth starving. I’d give you my hands to sustain the sculpture. Leave me to bleed, to feed the vultures.
8.
Heard a Ring 04:24
I heard a ring. I heard birds singing in the morning. I awoke with a start from a dream of hearts and gold commingling. I felt I was falling.I heard voices calling. And the sky was peeling. A familiar voice said, “Write not from your head, but from how it looks from the ceiling.” Viscous ink rolls over your eyes. It ebbs and flows like hot-tar, high tides. And the whites of my eyes are covered in black, which yields and shields me from salvation’s attack. Were it that I would, I would that I could. But I will want to—and I could if I would. But I would and could and can and will only have you. I heard a ring. It sounded like angels singing in the morning. I woke with a start from a daydream of streams and water lilies. I felt a breeze brawling, but kind of creeping and crawling, like a butterfly awakening from a daydream of being you. In a stupor like cupid, it stumbled in limpid, and then burst, all at once, into a explosion of color. Viscous ink rolls over your eyes. It ebbs and flows like hot-tar, high tides. And the whites of my eyes are covered in black, which yields and shields me from salvation’s attack. Were it that I would, I would that I could. But I will want to—and I could if I would. But I would and could and can and will only have you.
9.
Please, God, make the pain go away. Please, God, make the pain go away. All I wanted was a bit of repose. Like the kind I gave that smoldering rose. But when I stepped on it, thorns were stuck in my toes. It hurt so bad I wish God stepped on me. It hurt so bad I wish God stepped on me. I don’t care if you think I’m a liar. I don’t need no god damn qualifier. But if you really want one, go run through briars on fire. So it’s into the briars, and into the brambles. I’ll run bare-naked—I’ll take that gamble. And I’ll hold my aces and fold my jokers. And in my other hand I’ll have a fire poker, to stoke the flames and slash through the pain. Please, God, don’t make the pain go away. Please, God, don’t make the pain go away. I been fighting so long I begun to love my enemy, the pain I was afraid of. But now all I fear is having no fear to rise above. So it’s into the briars, and into the brambles. I’ll run bare-naked—I’ll take that gamble. And I’ll hold my aces and fold my jokers. And in my other hand I’ll have a fire poker, to stoke the flames and slash through the pain.
10.
All of my dishes were dirty, but it makes no difference to me, ‘cause I put a little shot of soap in my whiskey, ‘cause, Mama, I’m goin’ clean. I don’t need no coffee. I don’t need no caffeine. I just need a little shot of soap in my whiskey, ‘cause, Mama, I’m goin’ clean. I don’t want no cocaine. I don’t want no morphine. I just want a shot of soap in my whiskey, ‘cause, Mama, I’m goin’ clean. My mind has been muddled. My wits, they ain’t too keen— probably ‘cause I’ve had about a gallon of soap— but, Mama, I’m goin’ clean. All of my dishes were dirty, but it makes no difference to me, ‘cause I put a little shot of soap in my whiskey, ‘cause, Mama, I’m goin’ clean. ‘cause, Mama, I’m goin’ clean. ‘cause, Mama, I’m goin’ clean.
11.
It’s the infinite possibilities of each moment that obsess me— it’s the myriad feasible philosophies to use to view something like destiny. But the rest of me ain’t a recipe. It’s an amorphous blob undulating and inflating like an ego balloon. Blow it up. Let it go. See how long it takes to blow. See where it wants to go. See how long it takes to pop at the top of the sky and at the bottom of infinity. I step into the water and walk downstream with the cool swirls flowing down around my knees. The past flows behind me; the future flows in front of me; the current is their synchronicity. But the spires of trees and the columns of flame tower up above my head and erase my name. I lose my self, and everything else; I cure my health, forget my wealth. I lose my longterm memory like a wisp of smoke into the bottom of infinity. I smile, close my eyes, and inhale deep as the warm sunlight falls upon my cheeks. After many years of waiting and thinking and debating I finally found felicity. But the silvery sky and my wearier exterior are playin’ tug of war and I don’t know which one’s superior. Which one will win? Which one will lose? When will my heart stop its crimson ooze? When will I die and when will I arrive at the bottom of infinity?

about

The LP was recorded over one long weekend at Studio 101A in Amherst, New Hampshire. The recordings were mixed by Simon Katz and mastered by Jonathan Wyner.

credits

released August 25, 2017

Change:

Alan Getto: guitar, vox
Zack Kardon: slide guitar
Max Capistran: bass
Tim Maxwell: drums

In Transit:

Alan Getto: guitar, vox, harmonica
Avery Ballotta: fiddle
Max Capistran: bass

Same Old World:

Alan Getto: vox & backing vox, rhythm & lead guitar, whistling
Max Capistran: bass, lead guitar
Tim Maxwell: drums
Jeff Davison: keys
Sasha Dubyk: backing vox

Edges of the World:

Alan Getto: vox, guitar
Kurt Villiard: cello
Avery Ballotta: fiddle

Ever Since:

Alan Getto: vox, guitar
Max Capistran: bass
Tim Maxwell: drums
Jeff Davison: keys

It’s Fine; You’re Ugly:

Alan Getto: vox, guitar
Max Capistran: lead + backup guitar

Habanera:

Alan Getto: vox, guitar
Avery Ballotta: violin

Heard a Ring:

Alan Getto: vox, guitar
Kurt Villiard: cello
Avery Ballotta: fiddle
Jeff Davison: keys

Into the Briars:

Alan Getto: vox, guitar

Soap in My Whiskey:

Alan Getto: vox, guitar

Bottom of Infinity:

Alan Getto: vox, guitar
Max Capistran: bass
Tim Maxwell: drums

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Alan Getto Pittsburgh, Pennsylvania

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